{"id":244,"date":"2019-08-22T12:35:39","date_gmt":"2019-08-22T10:35:39","guid":{"rendered":"http:\/\/alexianeriou.fr\/?p=244"},"modified":"2019-09-08T12:56:58","modified_gmt":"2019-09-08T10:56:58","slug":"le-corps","status":"publish","type":"post","link":"http:\/\/alexianeriou.fr\/?p=244","title":{"rendered":"Le corps"},"content":{"rendered":"\n<p>Le corps est depuis l&#8217;\u00e9poque de la Renaissance un objet de fascination et de symboles, Fr\u00e9churet a dit : \u00ab L\u2019image du corps a subi d\u2019\u00e9tranges destins, de l\u2019extase \u00e0 la damnation.\u00a0\u00bb, nous pouvons d\u2019abord penser \u00e0 des artistes tels que Goya, Rembrandt, Vinci, Titien etc.\u00a0<\/p>\n\n\n\n<ul class=\"wp-block-gallery aligncenter columns-4 is-cropped wp-block-gallery-1\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"678\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Goya-les-vieilles-Lille.jpg?resize=1024%2C678\" alt=\"Goya Les vieilles \" data-id=\"255\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=255\" class=\"wp-image-255\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Goya-les-vieilles-Lille.jpg?resize=1024%2C678 1024w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Goya-les-vieilles-Lille.jpg?resize=300%2C199 300w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Goya-les-vieilles-Lille.jpg?resize=768%2C509 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Goya-les-vieilles-Lille.jpg?w=1600 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Goya Les vieilles <\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"602\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/leonardo-da-vinciLHomme-de-Vitruve.jpg?resize=1024%2C602\" alt=\"Leonardo Da Vinci L'Homme de Vitruve\" data-id=\"259\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=259\" class=\"wp-image-259\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/leonardo-da-vinciLHomme-de-Vitruve.jpg?resize=1024%2C602 1024w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/leonardo-da-vinciLHomme-de-Vitruve.jpg?resize=300%2C176 300w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/leonardo-da-vinciLHomme-de-Vitruve.jpg?resize=768%2C451 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/leonardo-da-vinciLHomme-de-Vitruve.jpg?w=1138 1138w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Leonardo Da Vinci L&#8217;Homme de Vitruve<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"329\" height=\"380\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Rembrandt-Autoportrait-au-plumet.-Huile-sur-panneau-de-che\u0302ne.Isabella-Stewart-Gardner-Museum.png?resize=329%2C380\" alt=\"Rembrandt Autoportrait au plumet. Huile sur panneau de che\u0302ne Isabella Stewart Gardner Museum\" data-id=\"267\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=267\" class=\"wp-image-267\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Rembrandt-Autoportrait-au-plumet.-Huile-sur-panneau-de-che\u0302ne.Isabella-Stewart-Gardner-Museum.png?w=329 329w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Rembrandt-Autoportrait-au-plumet.-Huile-sur-panneau-de-che\u0302ne.Isabella-Stewart-Gardner-Museum.png?resize=260%2C300 260w\" sizes=\"(max-width: 329px) 100vw, 329px\" \/><figcaption>Rembrandt Autoportrait au plumet. Huile sur panneau de che\u0302ne Isabella Stewart Gardner Museum<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"387\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/titien..vierge.a.l.enfant.avec_.des_.saints.-1530-.jpg?resize=550%2C387\" alt=\"Titien la vierge a l'enfant avec des saints 1530\" data-id=\"271\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=271\" class=\"wp-image-271 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/titien..vierge.a.l.enfant.avec_.des_.saints.-1530-.jpg?w=550 550w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/titien..vierge.a.l.enfant.avec_.des_.saints.-1530-.jpg?resize=300%2C211 300w\" sizes=\"(max-width: 550px) 100vw, 550px\" \/><figcaption>Titien la vierge a l&#8217;enfant avec des saints 1530<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n<p>Le corps c\u2019est au d\u00e9part la main de l\u2019artiste qui peint sa toile, comme par exemple dans l\u2019art moderne l\u2019\u0153uvre&nbsp;<em>Autoportrait<\/em>&nbsp;de Van Gogh, o\u00f9 l\u2019on voit parfaitement le jeu de sa main.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Autoportrait-de-Van-Gogh.jpg?resize=254%2C310\" alt=\"Autoportrait de Van Gogh\" class=\"wp-image-245\" width=\"254\" height=\"310\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Autoportrait-de-Van-Gogh.jpg?w=827 827w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Autoportrait-de-Van-Gogh.jpg?resize=246%2C300 246w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Autoportrait-de-Van-Gogh.jpg?resize=768%2C937 768w\" sizes=\"(max-width: 254px) 100vw, 254px\" \/><figcaption>Autoportrait de Van Gogh<\/figcaption><\/figure><\/div>\n\n\n\n<p>Puis, peu \u00e0 peu le corps s\u2019affaire dans la repr\u00e9sentation m\u00eame du corps, par exemple les photographies, peintures ou sculptures de corps, \u00e0 l\u2019exemple de David Hockney, Nude<em>.<\/em><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/David-Hockney-Nude.jpg?resize=247%2C373\" alt=\"David Hockney, Nude\" class=\"wp-image-252\" width=\"247\" height=\"373\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/David-Hockney-Nude.jpg?resize=678%2C1024 678w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/David-Hockney-Nude.jpg?resize=199%2C300 199w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/David-Hockney-Nude.jpg?resize=768%2C1159 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/David-Hockney-Nude.jpg?w=1138 1138w\" sizes=\"(max-width: 247px) 100vw, 247px\" \/><figcaption>David Hockney, Nude<\/figcaption><\/figure><\/div>\n\n\n\n<p>Dans l\u2019art contemporain, le corps passe de la repr\u00e9sentation \u00e0 la pr\u00e9sentation, gr\u00e2ce aux performances et happenings des artistes.<\/p>\n\n\n\n<p>L\u2019une des pionni\u00e8res dans ce domaine est Maria Abramovitch,&nbsp;<em>Ulay Imponderabilia,<\/em>&nbsp;avec ses nombreuses performances qui associent son corps au spectateur.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ulaymarina-abramovic-imponderabilia-performance-1977.jpg?resize=346%2C268\" alt=\"Maria Abramovitch,\u00a0Ulay Imponderabilia\" class=\"wp-image-272\" width=\"346\" height=\"268\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ulaymarina-abramovic-imponderabilia-performance-1977.jpg?resize=1024%2C796 1024w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ulaymarina-abramovic-imponderabilia-performance-1977.jpg?resize=300%2C233 300w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ulaymarina-abramovic-imponderabilia-performance-1977.jpg?resize=768%2C597 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ulaymarina-abramovic-imponderabilia-performance-1977.jpg?w=1158 1158w\" sizes=\"(max-width: 346px) 100vw, 346px\" \/><figcaption>Marina Abramovic, Ulay Imponderabilia, 1977. Vid\u00e9o de 9min. 50 s., dimension variable. <\/figcaption><\/figure><\/div>\n\n\n\n<p>Tout cela s\u2019inscrit dans des mouvements artistes, notamment fluxus, car la performance fonctionne&nbsp; g\u00e9n\u00e9ralement gr\u00e2ce au spectateur, notamment parce qu\u2019elle est \u00e9ph\u00e9m\u00e8re.<\/p>\n\n\n\n<p>Les artistes peuvent peindre dans la toile comme Yves Klein,&nbsp;<em>Anthropom\u00e9trie de l\u2019\u00e9poque bleu<\/em>.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"492\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Anthropom\u00e9trie-sans-titre-ANT-100-1960.jpg?resize=1024%2C492\" alt=\"\" class=\"wp-image-130\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Anthropom\u00e9trie-sans-titre-ANT-100-1960.jpg?resize=1024%2C492 1024w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Anthropom\u00e9trie-sans-titre-ANT-100-1960.jpg?resize=300%2C144 300w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Anthropom\u00e9trie-sans-titre-ANT-100-1960.jpg?resize=768%2C369 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Anthropom\u00e9trie-sans-titre-ANT-100-1960.jpg?w=1600 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Anthropom\u00e9trie sans titre (ANT 100), 1960 &#8211; Yves Klein\nPigment pur et r\u00e9sine synth\u00e9tique sur papier maroufl\u00e9 sur toile\n145 x 298 cm\nHirshhorn Museum and Sculpture Garden, Washington, \u00c9tats-Unis<\/figcaption><\/figure><\/div>\n\n\n\n<p>Ils peuvent peindre &nbsp;en dehors de la toile par exemple Pollock et ses drippings.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/jackson_pollock-par-Goodnough.jpg?resize=344%2C257\" alt=\"Jackson Pollock\" class=\"wp-image-257\" width=\"344\" height=\"257\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/jackson_pollock-par-Goodnough.jpg?w=1024 1024w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/jackson_pollock-par-Goodnough.jpg?resize=300%2C225 300w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/jackson_pollock-par-Goodnough.jpg?resize=768%2C576 768w\" sizes=\"(max-width: 344px) 100vw, 344px\" \/><figcaption>Jackson Pollock <\/figcaption><\/figure><\/div>\n\n\n\n<p>Ils peuvent impliquer leur corps et celui du spectateur.<\/p>\n\n\n\n<p>Le spectateur et le mod\u00e8le.<\/p>\n\n\n\n<p>Le mod\u00e8le est l\u2019artiste.<\/p>\n\n\n\n<p>Le spectateur est l\u2019artiste.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Corps et image :<\/h3>\n\n\n\n<ul class=\"wp-block-gallery aligncenter columns-2 is-cropped wp-block-gallery-2\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"294\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Image_3-9.jpg?resize=500%2C294\" alt=\"Patrick Tosani, T\u00eates, 1992\" data-id=\"256\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=256\" class=\"wp-image-256\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Image_3-9.jpg?w=500 500w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Image_3-9.jpg?resize=300%2C176 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><figcaption>Patrick Tosani, T\u00eates, 1992. Photographie couleur, 190 x 144 cm. exposition Maison Europ\u00e9enne de la Photographie.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"487\" height=\"600\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/SPACE-INVADER-SELF-PORTRAIT-elms-lesters-487x600.jpg?resize=487%2C600\" alt=\"Invader, Self portrait\" data-id=\"268\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=268\" class=\"wp-image-268 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/SPACE-INVADER-SELF-PORTRAIT-elms-lesters-487x600.jpg?resize=487%2C600 487w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/SPACE-INVADER-SELF-PORTRAIT-elms-lesters-487x600.jpg?resize=244%2C300 244w\" sizes=\"(max-width: 487px) 100vw, 487px\" \/><figcaption>Invader, Self portrait, 2006. Mosa\u00efque sur panneau, 53&#215;44 cm, le mus\u00e9e en herbe.\n<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Corps et repr\u00e9sentation :<\/h3>\n\n\n\n<ul class=\"wp-block-gallery columns-4 is-cropped wp-block-gallery-3\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/B9717044611Z.1_20180925175756_000GO9C3QCI3.1-0.jpg?resize=1024%2C576\" alt=\"Gustave Courbet, l\u2019origine du monde, 1866.\" data-id=\"248\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=248\" class=\"wp-image-248\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/B9717044611Z.1_20180925175756_000GO9C3QCI3.1-0.jpg?resize=1024%2C576 1024w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/B9717044611Z.1_20180925175756_000GO9C3QCI3.1-0.jpg?resize=300%2C169 300w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/B9717044611Z.1_20180925175756_000GO9C3QCI3.1-0.jpg?resize=768%2C432 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/B9717044611Z.1_20180925175756_000GO9C3QCI3.1-0.jpg?w=1189 1189w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Gustave Courbet, l\u2019origine du monde, 1866. Huile sur toile, 46 cm x 55 cm, Mus\u00e9e d\u2019Orsay.\n<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"843\" height=\"898\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/default.jpg?resize=843%2C898\" alt=\"Francis Bacon, Figure with Meat, 1954\" data-id=\"253\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=253\" class=\"wp-image-253\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/default.jpg?w=843 843w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/default.jpg?resize=282%2C300 282w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/default.jpg?resize=768%2C818 768w\" sizes=\"(max-width: 843px) 100vw, 843px\" \/><figcaption>Francis Bacon, Figure with Meat, 1954. Peinture \u00e0 l\u2019huile, 1,3 m x 1,22 m, Institut d&#8217;art de Chicago.\n<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"492\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Anthropom\u00e9trie-sans-titre-ANT-100-1960.jpg?resize=1024%2C492\" alt=\"\" data-id=\"130\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=130\" class=\"wp-image-130\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Anthropom\u00e9trie-sans-titre-ANT-100-1960.jpg?resize=1024%2C492 1024w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Anthropom\u00e9trie-sans-titre-ANT-100-1960.jpg?resize=300%2C144 300w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Anthropom\u00e9trie-sans-titre-ANT-100-1960.jpg?resize=768%2C369 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Anthropom\u00e9trie-sans-titre-ANT-100-1960.jpg?w=1600 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Anthropom\u00e9trie sans titre (ANT 100), 1960 &#8211; Yves Klein\nPigment pur et r\u00e9sine synth\u00e9tique sur papier maroufl\u00e9 sur toile\n145 x 298 cm\nHirshhorn Museum and Sculpture Garden, Washington, \u00c9tats-Unis<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"508\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/PF8007-17-lr-1.jpg?resize=1024%2C508\" alt=\"Georges Mathieu, L\u2019abduction d\u2019Henri IV\" data-id=\"266\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=266\" class=\"wp-image-266 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/PF8007-17-lr-1.jpg?resize=1024%2C508 1024w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/PF8007-17-lr-1.jpg?resize=300%2C149 300w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/PF8007-17-lr-1.jpg?resize=768%2C381 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/PF8007-17-lr-1.jpg?w=1950 1950w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Georges Mathieu, L\u2019abduction d\u2019Henri IV, 1994. Huile sur toile, 200 x 400 cm, Galerie Helios Art, Bruxelles<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Corps espace :<\/h3>\n\n\n\n<ul class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-4\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"410\" height=\"275\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Steve-Paxton-Music-for-Word-Words-1963..jpg?resize=410%2C275\" alt=\"Steven Paxton, Music for word words\" data-id=\"269\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=269\" class=\"wp-image-269\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Steve-Paxton-Music-for-Word-Words-1963..jpg?w=410 410w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Steve-Paxton-Music-for-Word-Words-1963..jpg?resize=300%2C201 300w\" sizes=\"(max-width: 410px) 100vw, 410px\" \/><figcaption>Steven Paxton, Music for word words,1963. Performance, New York, NY, \u00c9tats-Unis. \n<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"438\" height=\"595\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Lartiste-Nam-June-Paik-utilise-sa-te\u0302te-pour-cre\u0301er-une-image-sur-une-feuille-de-papier-re\u0301partie-sur-le-sol-le-30-novembre-1961-a\u0300-Wiesbaden..jpg?resize=438%2C595\" alt=\"Nam June Paik, Zen for Head, 1961\" data-id=\"258\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=258\" class=\"wp-image-258\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Lartiste-Nam-June-Paik-utilise-sa-te\u0302te-pour-cre\u0301er-une-image-sur-une-feuille-de-papier-re\u0301partie-sur-le-sol-le-30-novembre-1961-a\u0300-Wiesbaden..jpg?w=438 438w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Lartiste-Nam-June-Paik-utilise-sa-te\u0302te-pour-cre\u0301er-une-image-sur-une-feuille-de-papier-re\u0301partie-sur-le-sol-le-30-novembre-1961-a\u0300-Wiesbaden..jpg?resize=221%2C300 221w\" sizes=\"(max-width: 438px) 100vw, 438px\" \/><figcaption>Nam June Paik, Zen for Head, 1961. Performance, galerie Parnass de Wuppertal.\n<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"249\" height=\"202\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/download-1-copie.jpg?resize=249%2C202\" alt=\"Kaprow, Words, 1962. Happening, La Fondation du Doute.\" data-id=\"279\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=279\" class=\"wp-image-279 is-layout-flex wp-block-gallery-is-layout-flex\"\/><figcaption>Kaprow, Words, 1962. Happening, La Fondation du Doute.<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Le corps et politique :<\/h3>\n\n\n\n<ul class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-5\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"876\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/beuys-7000-eichen-1982-5.jpg?resize=600%2C876\" alt=\"Beuys, 7000 ch\u00eanes pour la Documenta, 1982.\" data-id=\"250\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=250\" class=\"wp-image-250\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/beuys-7000-eichen-1982-5.jpg?w=600 600w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/beuys-7000-eichen-1982-5.jpg?resize=205%2C300 205w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption>Beuys, 7000 ch\u00eanes pour la Documenta, 1982. Basalte, v\u00e9g\u00e9taux, dimensions variables, \tKassel, Allemagne.\n<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"400\" height=\"266\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/beuys-swimming.jpg?resize=400%2C266\" alt=\"Beuys, Bog Action, 1971.\" data-id=\"249\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=249\" class=\"wp-image-249\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/beuys-swimming.jpg?w=400 400w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/beuys-swimming.jpg?resize=300%2C200 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><figcaption>Beuys, Bog Action, 1971. Performance, cause : \u00e9cologie, Zuider Zee, Pays-Bas.\n<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"758\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/1169624-2_le_menage.jpg?resize=750%2C758\" alt=\"Michel Journiac, Le m\u00e9nage, extraite de la s\u00e9rie \u00ab\u00a024 heures dans la vie d\u2019une femme.\u00a0\u00bb\" data-id=\"278\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=278\" class=\"wp-image-278 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/1169624-2_le_menage.jpg?w=750 750w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/1169624-2_le_menage.jpg?resize=297%2C300 297w\" sizes=\"(max-width: 750px) 100vw, 750px\" \/><figcaption>Michel Journiac, Le m\u00e9nage, extraite de la s\u00e9rie \u00ab&nbsp;24 heures dans la vie d\u2019une femme.&nbsp;\u00bb Performance, 1974.\n<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Corps et symbole :<\/h3>\n\n\n\n<ul class=\"wp-block-gallery columns-4 is-cropped wp-block-gallery-6\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1024\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Venus_of_Willendorf_03.jpg?resize=681%2C1024\" alt=\"Anonyme, V\u00e9nus de Willendorf\" data-id=\"273\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=273\" class=\"wp-image-273\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Venus_of_Willendorf_03.jpg?resize=681%2C1024 681w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Venus_of_Willendorf_03.jpg?resize=200%2C300 200w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Venus_of_Willendorf_03.jpg?resize=768%2C1154 768w\" sizes=\"(max-width: 681px) 100vw, 681px\" \/><figcaption>Anonyme, V\u00e9nus de Willendorf, Pal\u00e9olithique sup\u00e9rieur, vers 24 000\u201322 000 av. J.-C. Wachau, Basse-Autriche.\n<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"801\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/gina-pane_azione-sentimentale_1974-1500x1174.jpg?resize=1024%2C801\" alt=\"Gina Pane, Azione Sentimentale, 1973\" data-id=\"254\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=254\" class=\"wp-image-254\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/gina-pane_azione-sentimentale_1974-1500x1174.jpg?resize=1024%2C801 1024w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/gina-pane_azione-sentimentale_1974-1500x1174.jpg?resize=300%2C235 300w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/gina-pane_azione-sentimentale_1974-1500x1174.jpg?resize=768%2C601 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/gina-pane_azione-sentimentale_1974-1500x1174.jpg?resize=1500%2C1174 1500w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Gina Pane, Azione Sentimentale, 1973. Encre de Chine sur papier, \u00e9preuve g\u00e9latino-argentique, 4 x 31,5 x 22 cm, Galerie Diagramma, Milan.\n<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"715\" height=\"1024\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ORLAN-From-point-to-baiser.jpg?resize=715%2C1024\" alt=\"Orlan, Baiser de l\u2019artiste\" data-id=\"261\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=261\" class=\"wp-image-261\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ORLAN-From-point-to-baiser.jpg?resize=715%2C1024 715w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ORLAN-From-point-to-baiser.jpg?resize=209%2C300 209w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ORLAN-From-point-to-baiser.jpg?resize=768%2C1101 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ORLAN-From-point-to-baiser.jpg?w=977 977w\" sizes=\"(max-width: 715px) 100vw, 715px\" \/><figcaption>Orlan, Baiser de l\u2019artiste, 1977. Performance, foire internationale d&#8217;art contemporain.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/tran-ba-van-06.jpg?resize=600%2C600\" alt=\"Nicole Tran ba van Fausses photos de nues\" data-id=\"280\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=280\" class=\"wp-image-280 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/tran-ba-van-06.jpg?w=600 600w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/tran-ba-van-06.jpg?resize=150%2C150 150w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/tran-ba-van-06.jpg?resize=300%2C300 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><figcaption>Nicole Tran ba van Fausses photos de nues<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Corps et co-cr\u00e9ation :<\/h3>\n\n\n\n<ul class=\"wp-block-gallery columns-3 is-cropped wp-block-gallery-7\"><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"715\" height=\"1024\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ORLAN-1999-Defigurati-14047.jpg?resize=715%2C1024\" alt=\"Orlan, Refiguration\/Self-Hybridation n\u00b02\" data-id=\"260\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=260\" class=\"wp-image-260\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ORLAN-1999-Defigurati-14047.jpg?resize=715%2C1024 715w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ORLAN-1999-Defigurati-14047.jpg?resize=210%2C300 210w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ORLAN-1999-Defigurati-14047.jpg?w=735 735w\" sizes=\"(max-width: 715px) 100vw, 715px\" \/><figcaption>Orlan, Refiguration\/Self-Hybridation n\u00b02, 1998. Cibachrome contrecoll\u00e9 sur aluminium, (Pierre Zovil\u00e9 : aide technique au traitement num\u00e9rique des images), 167 x 117 x 4,5 cm, 101 cm (hors marge), centre Pompidou.\n<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"796\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ulaymarina-abramovic-imponderabilia-performance-1977.jpg?resize=1024%2C796\" alt=\"Maria Abramovitch,\u00a0Ulay Imponderabilia\" data-id=\"272\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=272\" class=\"wp-image-272\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ulaymarina-abramovic-imponderabilia-performance-1977.jpg?resize=1024%2C796 1024w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ulaymarina-abramovic-imponderabilia-performance-1977.jpg?resize=300%2C233 300w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ulaymarina-abramovic-imponderabilia-performance-1977.jpg?resize=768%2C597 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/ulaymarina-abramovic-imponderabilia-performance-1977.jpg?w=1158 1158w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption>Marina Abramovic, Ulay Imponderabilia, 1977. Vid\u00e9o de 9min. 50 s., dimension variable.\n<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"725\" height=\"1024\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Charlotte-Moorman.jpg?resize=725%2C1024\" alt=\"Charlotte Moorman et Nam June Paik, Concerto for TV Cello and Videotapes, 1971.\" data-id=\"251\" data-link=\"http:\/\/alexianeriou.fr\/?attachment_id=251\" class=\"wp-image-251 is-layout-flex wp-block-gallery-is-layout-flex\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Charlotte-Moorman.jpg?resize=725%2C1024 725w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Charlotte-Moorman.jpg?resize=212%2C300 212w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Charlotte-Moorman.jpg?resize=768%2C1085 768w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/Charlotte-Moorman.jpg?w=1000 1000w\" sizes=\"(max-width: 725px) 100vw, 725px\" \/><figcaption>Charlotte Moorman et Nam June Paik, Concerto for TV Cello and Videotapes, 1971. Ecrans. \n<\/figcaption><\/figure><\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Le corps et le processus de cr\u00e9ation :<\/h3>\n\n\n\n<figure class=\"wp-block-image\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"791\" height=\"500\" src=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/200810060778.jpg?resize=791%2C500\" alt=\"Miquel Barcel\u00f3 et Josef Nadj, Paso Dodle, 2016.\" class=\"wp-image-247\" srcset=\"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/200810060778.jpg?w=791 791w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/200810060778.jpg?resize=300%2C190 300w, https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/200810060778.jpg?resize=768%2C485 768w\" sizes=\"(max-width: 791px) 100vw, 791px\" \/><figcaption>Miquel Barcel\u00f3 et Josef Nadj, Paso Dodle, 2016. Performance, d\u00e9cor d\u2019argile et de terre glaise travaill\u00e9 en direct par les artistes, Fondation Beyeler.<\/figcaption><\/figure>\n<!-- AddThis Advanced Settings generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>Le corps<br \/>\nFr\u00e9churet a dit : \u00ab L\u2019image du corps a subi d\u2019\u00e9tranges destins, de l\u2019extase \u00e0 la damnation. \u00bb<\/p>\n<p><!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":2,"featured_media":276,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9],"tags":[],"author_meta":{"display_name":"Alexiane Riou","author_link":"http:\/\/alexianeriou.fr\/?author=2"},"featured_img":"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/pexels-photo-1727658-1.jpg?fit=200%2C300","jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/alexianeriou.fr\/wp-content\/uploads\/2019\/08\/pexels-photo-1727658-1.jpg?fit=433%2C650","coauthors":[],"tax_additional":{"categories":{"linked":["<a href=\"http:\/\/alexianeriou.fr\/?cat=9\" class=\"advgb-post-tax-term\">R\u00e9f\u00e9rences artistiques par th\u00e8me<\/a>"],"unlinked":["<span class=\"advgb-post-tax-term\">R\u00e9f\u00e9rences artistiques par th\u00e8me<\/span>"]}},"comment_count":"0","relative_dates":{"created":"Posted 7 years ago","modified":"Updated 7 years ago"},"absolute_dates":{"created":"Posted on 22 August 2019","modified":"Updated on 8 September 2019"},"absolute_dates_time":{"created":"Posted on 22 August 2019 12 h 35 min","modified":"Updated on 8 September 2019 12 h 56 min"},"featured_img_caption":"","series_order":"","_links":{"self":[{"href":"http:\/\/alexianeriou.fr\/index.php?rest_route=\/wp\/v2\/posts\/244"}],"collection":[{"href":"http:\/\/alexianeriou.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/alexianeriou.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/alexianeriou.fr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/alexianeriou.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=244"}],"version-history":[{"count":4,"href":"http:\/\/alexianeriou.fr\/index.php?rest_route=\/wp\/v2\/posts\/244\/revisions"}],"predecessor-version":[{"id":343,"href":"http:\/\/alexianeriou.fr\/index.php?rest_route=\/wp\/v2\/posts\/244\/revisions\/343"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/alexianeriou.fr\/index.php?rest_route=\/wp\/v2\/media\/276"}],"wp:attachment":[{"href":"http:\/\/alexianeriou.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=244"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/alexianeriou.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=244"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/alexianeriou.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}